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Παρασκευή 4 Μαΐου 2018

MANACLE: Chains, leather, pure metal and no fear to persevere.

“Music is both a way of expression and release for me, so it means everything! Without it I die!”

There is something about Canada when it comes to ballsy metal. Manacle is no exception to the rule. Forged in the underground metal scene of Canada, Manacle are all about shackles, chains, studs, leather and pure metal worship that will blow your mind. Founder and guitarist Inti Paredes talks to Crystal Logic about everything…


Give us a detailed bio of Manacle.

Inti: Manacle started sometime in 2013 as a trio, with myself on guitar and singing lead vocals, Amar on bass and Matt on drums. Initially started with the intent of being a speed metal band like the first Exciter album, or Agent Steel, we kind of just naturally turned into a more melodic heavy metal band that plays fast. We’ve gone through a few line-up changes since the inception but the idea and direction for the band remains the same. We managed to record ‘No Fear To Persevere’ in the end of 2016 and sat on it through a few line-up changes, among other complications with the album release,  until now. The band currently sits with myself on guitars, Shawn on bass, Spannah on drums and Jesse on vocals.

How do you compose a Manacle song? Do you have a specific idea, do you jam or it comes naturally in the studio?

Inti: Typically I have a lyric or melody idea come to me and start from there. I have a bunch of riffs in the old riff bank and it’s just a matter of arranging them in a way that sounds good to me. I like trying to jam out song ideas as well; usually I’ll just play a riff or two and see where it goes from there.

Give is few notes on each song of your first album.

Fight For Your Life – Opening track, I really clean/acoustic type intros, one of our older songs and typically a show opener.

Tears Of Wrath – This is the song that made me get a real singer, when I wrote the music I couldn’t play guitar and sing it. Kevin’s vocals are amazing on this track. I was working a shipping receiving job, and a friend there was talking and he said “tears of wrath” joking about something, I thought it would be a great song title!

Journey’s End – Longest song on the album. Don’t let your life pass you by!

Live Fast Die Fast – The oldest Manacle song, I wrote a couple of these riffs when I was briefly in Axxion with the intention of making it a song. When I started Manacle I turned it into a full song. 

Witches Hallow – I can’t remember whose idea it was to have the drum solo, maybe John Dinsmore or Jason Decay. This is a song we jammed out together in a rehearsal.

Stand Tall – We didn’t originally have the intention of recording this track. It was something we were still working on at the time, but Jason convinced us to try and record it and we finished writing it in the studio actually! Jason is part of the back-up vocals at the end.


How was the recording process of 'No Fear To Persevere' and how did you end up with Olof Wikstrand of Enforcer for mixing and mastering?

Inti: Jason Decay from Cauldron is a friend of ours and has helped us out a bunch over the years. Essentially, he knew John Dinsmore from doing previous Cauldron recordings, and recommend we book time at his studio. Jason was down in the studio helping us out, I wanna call him our unofficial “co-producer” since he didn’t want the official credit! John is also a really good engineer who taught us so much and had way too much patience! Haha… The studio was a great time because we were all really stoked to finally be in the studio, it was late August and the weather was scorching hot, and we were hungry with something to prove! We were sweating buckets but we finished it in a weekend.
Olof is a friendly acquaintance but also a close friend of Cauldron, so it came together the same way. Olof nailed the sound we were going for and I couldn’t be happier with how it sounds, not to mention all the other great albums he’s mixed.

Your musical inspirations are quiet obvious and they are from 80s US heavy power speed metal legends like Omen, Savage Grace, Agent Steel, but also classic bands like Judas Priest. What made you start playing music and what metal means for you?

Inti: Something about music, rock music, heavy metal, it just clicked for me! When I was younger I looked up to the guitar heroes of my favourite bands and it definitely inspired me to play. Randy Rhoads was a big motivator; and Judas Priest was a huge discovery as well. I also think Canada has such a good library of rock and metal that it was easy to be influenced by Canadian classics. I think particularly watching music videos also made me think, “whoa! This is so cool, I want to do this. I CAN do this!” I had some friends who were also starting to play music around the same time and that helped me learn to play.
Music is both a way of expression and release for me, so it means everything! Without it I die!

There is a new wave of metal bands coming from United States and Canada with Gatekeeper, Eternal Champion, Visigoth and more. How is the current metal scene in North America and Canada? Which bands do you distinguish? It appears that there is something boiling and ready to explode but do you think that it will break through or it will remain underground?

Inti: I think it’s hard to say. Sometimes I feel like metal is becoming popular again and everything is big, lots of shows and bands, and then suddenly everything dries up for a bit and suddenly no one is around. If anything I think I don’t think it’s boiling over, but simmering down and becoming more concentrated. I’m more involved in what’s going on in Canada, so the bands I’m distinguishing are Spell, Barrow Wight, Possessed Steel, Emblem, Cellphone… Canada has lots of great bands, but we could always use more, the big cities in North America are too far apart. and maybe a few more fans while we are at it.

However, speaking of underground, do you think that underground can be the new mainstream and what's your view on "underground" and heavy metal music nowadays? There are many new traditional metal bands out there, various festivals appear everywhere, older bands reunite (even with just one "cult" album), there is a vinyl hype, cassette tapes return and everything 80s-related seems cool...

Inti: I think the underground could become the new mainstream, but it would take a lot to get it there. In the 80’s heavy metal was advertised on a mainstream level like pop music. If they gave it that kind of treatment again, I’m sure it would rise …although I don’t necessarily think it would be the best thing…
My view: Too much hype on everything!

What does it take for a new metal band to survive?

Inti: I’ll let you know if I survive!

The world is changing. Society is changing. Politics and extreme ideas are rising. Do you think that metal music should raise a voice and take place?

Inti: Absolutely, music is the common language that unites us and I strongly believe we can make a positive difference in the world through it. Music and the arts have always been at the forefront of social change and there is no reason that should stop now. Things like the Freddie Mercury Tribute Concert, Moscow Peace Festival, Hear N Aid, Rock Against Racism, Live AID , etc.  are some examples or music raising its voice for noble causes and I think we need more of that today. 

What will you do if you will find out that a member of one of the bands you love supports extreme ideas or will be convicted for a hateful crime?

Inti: Probably will be the end of that band for me, I can’t separate the politics from the music. But there’s also that Dave Holland thing? I guess we just tell ourselves he was a secondary member that didn’t matter and that he was out of the band anyways...
Then you start talking about how good Scott Travis is and Racer X or something instead… Les Binks was really good too!

I know that you are also running a metal record store and label in Canada. It seems that metal is your life but how easy or difficult is to survive?

Inti: I co-founded and ran Stained Class Records for 1 year (I no longer work there), I’ve been doing the label for a few years now and playing in bands, DJing, promoting shows and doing anything I can! Metal is my life and I love it, sometimes it feels like a lot, and there’s not much money in it…but what else would I rather do?

Where do you place Manacle in the current metal scene and what should we expect from you in the near future?

Inti: I’d place us in the bottom right now, but that’s not a bad thing, I’m hoping to play a lot more show this year and record a 7” soon before beginning work on a new album.

Are you still going to see Judas Priest without KK and Glenn?

Inti: I did! Priest will always be my favourite band, and I have the feeling this may be one of their last tours. Of course it’s not the same without KK and Glen, but what other choice do I have since I missed the glory days! They were still great and I regret nothing, long live the Priest!



Photo by Kimo Verkindt
No Fear To Persevere is out now on No Remorse Records
 
 

Δευτέρα 13 Ιουλίου 2015

David T. Chastain interview - The Ruler Bleeds Metal!

David T. Chastain is an iconic and highly acclaimed metal guitarist, one of the longest standing in the United States. Having released countless albums including masterpieces of Heavy Metal music, he stands among those few respected metal musicians with common acceptance. Just few months before his upcoming new album “We Bleed Metal”, I had the chance to discuss with him about his music career and to present to you a great interview. Enjoy!

Back in the early 80s, what made you start the band under your name and how did you gather the members of Chastain? A rumor says that the band was put together by Mike Varney (Shrapnel Records) for a solo David T. Chastain album.

David T. Chastain: Mike Varney had heard my solo instrumental music as well as CJSS but didn't like either enough to invest in an album. He suggested I put a new band together. I brought along my CJSS bassist, Mike Skimmerhorn in the band. Varney knew Leather and Fred Coury and we liked each other's style so we did a few demos that rocked and decided to record the album "Mystery of Illusion". I still continued CJSS and my instrumental recordings just not with Mike Varney.

However, you had the band Spike from the late 70s if I am correct. What do you recall from this band?

David T. Chastain: Yes, there were numerous lineups over the years. The last lineup morphed into CJSS. The best Spike lineup to me was when Stephen Fredrick (Keznier, Kinrick) was handling the lead vocals. We did a short tour with Black Sabbath (with Ronnie James Dio) that probably was the band's high point. Spike released one album "The Price of Pleasure". I would call it commercial metal. About 1/2 of the songs are good the other half are too commercial!

The first two Chastain albums, "Mystery Of Illusion" (1985) and "Ruler Of The Wasteland" (1986), were released by Shrapnel Records. Give us a few words for those albums and your first years as a band.

David T. Chastain: The first album "Mystery of Illusion" was a very exciting record for all of us as it was our first so called "real record". There are lots of problems on that record as far as performance and meter but the energy is on 11! "Ruler of the Wasteland" is a much more "professional" record... everything is there: songs, performance and production. Considering each of those albums were on very low budgets (100 hours in the studio to record and mix), they both have stood the test of time. I think if both were released today for the first time with modern production they would still sound contemporary. 

From that moment and on, after the first two albums, you started your own label, Leviathan Records, and the majority of your next releases were issued by you. How did that came and how easy or difficult was to start running a label back in those days?

David T. Chastain: I had already released the Spike album on a label I ran so starting Leviathan Records with a friend, Steve McClure, was not that big of a deal. In those days it was MUCH EASIER releasing an album. Far less competition than it is today. Whereas there may have been 100 metal albums released a year in those days it is probably 100 a month now. 


Your next albums (almost all in Leviathan from that moment, as mentioned) were "The 7th Of Never" (1987), "The Voice Of The Cult" (1988) and "For Those Who Dare" (1990). That was a very strong period for the band, and also during 1990 you had your first video clip of "For Those Who Dare" on air. Again, give us a few words for those albums and that era.

David T. Chastain: Actually Roadrunner released "For Those Who Dare" worldwide. "The 7th" and "The Voice" were released on Leviathan and did very well. During those old days Roadrunner had released our albums in Europe for the most part so we felt if they had the whole world they would do a better job... however that was not the case. We sold more Chastain albums on Leviathan than Roadrunner. The problem with Roadrunner was that we were one of 50 bands and we were not their main concern. On Leviathan we only had 3 or 4 bands so Chastain was the top dog. Obviously Roadrunner can take a band big time if you are their main concern.
  
What about live shows back in that period? Which are the most memorable moments you had on the road?


David T. Chastain: For Chastain I guess the biggest live show was playing with KISS in a huge arena. However playing a venue in Cincinnati called Bogart's were the most enjoyable shows for the band. We played all over the US numerous times and there were some great shows and some not so great shows.... depended on the promotion.

During that period, there was a kind of partnership with Black Dragon Records from France and Leviathan, where each label licensed some releases to the other for European and US release. What do you remember from that co-operation?

David T. Chastain: Black Dragon was a good label during that era. They sold a lot of CJSS, Chastain and David T. Chastain albums. However once the Lp became extinct they sort of lost how to do business. I am still in contact with the owner of the company Agnes Desgranges. We released the Candlemass album "Epicus Doomicus Metalicus" for them in the US and it did pretty well.

What about the CJSS project that started in 1986 with the albums "World Gone Mad" and "Praise The Loud"? What made you start another band and what your goal was with CJSS?

David T. Chastain: As I mentioned previously CJSS was born out of Spike and was formed in the summer of 84... so it came before Chastain. I always considered CJSS an American Metal Band and Chastain more of a European sounding metal band.


Also, during those years, you released your first solo albums. Leone also released "Shock Waves" (1989) and before that she had a single with Malibu Barbie. How did you managed to do all these stuff and also having a label running? It seems that you have huge creativity in song-writing.

David T. Chastain: Every time I pickup the guitar I write music. I can literally write an album's worth of music in short order. So quantity was never a problem. Of course some people will argue the quality. Usually an album is just what I was writing at that moment. I have at least 1000 hours of music that has not been used for public consumption. The fun part for me is always writing the song and making a demo... everything after that becomes "business".
 

And then, when you entered the 90s, Leone left the band. Why this did happen and how was that period for metal music in the States?

David T. Chastain: After the "For Those Who Dare" tour Leather and I  just went our separate ways. There was no big fight, no one quit or was fired. We were just burned out. We had been recording one album a year and touring since 85 so we needed a break. She tried to find something new but never could for one reason or another so she just retired. I concentrated on my instrumental career. Around 94 I decided I wanted to do a vocal record with a male singing. I tried out numerous people but none fit the bill.... so I became the lead vocalist. I did a short tour with me doing vocals... then I met Kate French. 

Three Chastain albums followed later with Kate French (vocals). "Sick Society" (1995), "In Dementia" (1997), "In An Outrage" (2004). Give us few comments on them and what was the reaction of the fans and the press for those albums?

David T. Chastain: "Sick Society" shocked a lot of people They expected the same music with a new voice but what they got was different music with the same voice. The music on Sick Society was actually written for my vocals so Kate really didn't get to shine on that Cd. Strange as it my seem that Cd is one of the most profitable Chastain Cds because music from that album was used in numerous TV shows over the years. In quick order we released "In Dementia". For me, that is one of the top 2 Chastain albums of all time. Everything clicked on that one. Kate did an amazing job on writing and recording the vocals. It is a joy to listen to that one but you really need to listen with headphones to hear all of the vocal ear candy. Kate then married Larry Howe and had a son so music became a secondary matter for her... of course that is understandable. It took her forever to write and record her vocals for "In An Outrage". Therefore there was a 7 year break between albums. "In An Outrage" is a very good album but it is hard for me to enjoy since it was such a labor to make public. How did the fans and press react? It was mixed. Of course when Leather was in the band it was also mixed. During those old days, female vocalists were not given serious respect and it was an uphill battle. 

If you should name the best 5 albums you participate in, which ones would you chose and why?

David T. Chastain: Hard question and if you asked me tomorrow it would probably be different but today I feel of the ones I played on (in chronological order.):
Chastain "Ruler of the Wasteland" - The best of the early Leather era Cds
David T. Chastain "Instrumental Variations" - My first instrumental album and my biggest selling album of all my releases.
David T. Chastain "Next Planet Please" - Where I finally got to venture out into metal fusion which is really a favorite style of music of mine
Chastain "In Dementia" - The best of the Kate French era.
Southern Gentlemen "Exotic Dancer Blues" - Strangely my best reviewed Cd of all time even if I did the vocals! Also probably the most profitable because it was placed in 100s of TV Shows over the years. 
As far as the ones I produced:
Leather "Shock Waves" - A chance for Leather to shine
Kenziner "Timescape" - Jarno Keskinen and Stephen Fredrick really made a great Cd.
Firewind "Between Heaven and Hell" - Getting Gus G and this band together was an exciting time. Gus G is always fun to work with.

Which are the guitar players that you admire more and which ones are your inspirations as a guitar player and composer?

David T. Chastain: There are so many that I admire but I have never tried to copy any of them: Hendrix, Page, Holdsworth, Dimeola, Van Halen, Rhoads, Malmsteen, Stevie Ray Vaughn to name a few.  I guess Iommi for his metal compositions. I was never good at imitation so I always tried to do my own thing. For the last 10 years the only thing I listen to for enjoyment is classical music… preferably solo piano pieces.

During that period you had more solo albums released and some productions done, right? Give us a brief bio of those days outside of Chastain, until 2013…

David T. Chastain: Once again too many to list. Instrumental, Chastain Harris, Zanister, Southern Gentlemen, Kenziner, Kinrick, Firewind and more. There is a list at www.leviathanrecords.com/chasdisc.htm. Even I don't remember them all!! 

And in 2013 the album "Surrender To No One" is released with Leather Leone back in vocals. Powerful and aggressive, that was a cool comeback. Was it planned or just came? How all this happened?

David T. Chastain: Leather decided to come back and I offered to produce a solo album for her. However she wanted to try to do something else, Sledge Leather. It did fairly well but everyone was always asking her about a new Chastain. I had quite a bit of material backlogged so I let her hear some and she was excited about it. We demoed stuff for about 6 months before we decided we would record a new Chastain album. I knew Stian from his work on a couple of records I had produced: Firewind and Kinrick. I think the addition of Stian helped bring the band into a modern sound. I brought Mike Skimmerhorn back in the band to try to make Chastain as "original" as possible. The reception to the reunion was very positive. www.chastainmetal.com

You haven't played any live shows the last years, right? Why?

David T. Chastain: I much prefer the studio. While I enjoy the hour on stage I don't enjoy the other 23 hours involved in touring. Fortunately I have been able to make a living off of albums and TV placements so that I wasn't forced to have to tour. I have only played a show here or there over the last 20 years. Chastain received some very nice offers to play festivals, both small and large, since the reunion but I haven't seen anything I couldn't resist.


A new album is on the works. Give us all the details, please.

David T. Chastain: Chastain "We Bleed Metal" will be released worldwide on November 6. It is the same lineup as "Surrender To No One" Leather on vocals, myself on guitar, Mike Skimmerhorn on bass and Stian Kristoffersen on drums. The music is in the same ballpark as the last album. Definitely my most "shredtastic" guitar playing on a Chastain album since "The 7th of Never". Leather thinks it is a better album than "Surrender To No One" but I am too close to it to make that judgement. I usually don't formalize an opinion on one of my releases for at least 5 years after release. www.webleedmetal.com 

Last words…

David T. Chastain: Thanks for the support through all of these years! Hopefully the new album will not disappoint. WE BLEED METAL!!!
You can visit www.leviathanrecords.com for further info on all of my releases.